Sunday 24 August 2008

Mp3 music: Perry Como






Perry Como
   

Artist: Perry Como: mp3 download


   Genre(s): 

Vocal
Pop

   







Perry Como's discography:


Perry Como Gold (Greatest Hits)
   

 Perry Como Gold (Greatest Hits)

   Year: 2001   

Tracks: 25
The Essential
   

 The Essential

   Year:    

Tracks: 24
Merry Christmas Music
   

 Merry Christmas Music

   Year:    

Tracks: 17






One of the to the highest degree popular vocalists between the terminal of World War II and the lift of stone & roll in the mid-'50s, Perry Como perfected the post-big band approach to pop music by loaning his possess irresistible laidback singing -- influenced by Bing Crosby and Russ Columbo -- to the popular hits of the day on radio set, TV, and LP. Both his early traditional crooning dash asset his subsequently relaxed manner and focus on novelty material were heavily indebted to Bing Crosby, though Como's appeal during the early '50s was virtually nonpareil. Born in 1912 in Canonsburg, Pennsylvania, Como was working as a vocalizing barber in his hometown when he began touring with local bandleader Freddie Carlone at the age of 21. By the mid-'30s, he got his big break with Ted Weems & His Orchestra, wHO headed a democratic wireless usher named Beat the Band. After the orchestra skint up in 1942, Como hosted a regional CBS wireless exhibit by and by called Supper Club. The show's success gained him a tackle with RCA Victor Records by 1943, and he also began working in Hollywood with Something for the Boys.


Matthew Calbraith Perry Como's real big break came with the 1945 motion picture A Song to Remember. His rendering of "Boulder clay the End of Time" played out x weeks at the top of the charts and became the biggest hit of the year. Como's languorous barytone worked particularly considerably on ballads, such as the extra 1945-47 identification number one hits "Captive of Love," "Yielding" and "Chi-Baba, Chi-Baba (My Bambino Go to Sleep)." Hired by NBC for some other radio usher in 1948, Como crossed over to the emerging medium of television that same yr with the Chesterfield Supper Club. The show speedily took off, and eventually earned him four-spot Emmy Awards. In the mid-'50s, Como began to pander in light knickknack fare, the titles much comprising falderol dustup -- "Bibbidi-Bobbidi-Doo," "Hoop-Dee-Doo," "Papaya Mama" and "Hot Diggity (Dog Ziggity Boom)." Though he often disliked the songs, they often became vast hits and made his reputation as one of the singers world Health Organization defined the style of music later known as middle-of-the-road pop.


Como's breezy songs had worked well at the commencement of the decennium, but his invoke began to wane towards the end of the 1950s, with the emergence of rock candy & wrap and the wave of stripling idols. His last number unrivaled hit, "Catch a Falling Star," came in 1958. Como was much less visible during the sixties, just returned in 1970 with his first springy establish in over deuce decades, and a world hitch followed; a single ("It's Impossible") even made the Top Ten in tardy 1970. Como continued to record LPs and occasional television system specials while making scattered appearances during the 1970s and '80s. On May 12, 2001 Perry Como died in his sleep at his home in Florida.





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